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Nembrini Audio has taken the guitarists most preferred analog and digital effect pedals and has repacked them in new rack style plugins easy to use and extremely powerful at the same time, with the addition of a custom design tube preamp virtual circuit which gives colour to the signal in a very special way. Just insert the Analog Rack Noise Gate plugin in your tracks to hear its beautiful analog tube colouration! https://www.nembriniaudio.com/collections/free/products/analog-rack-noise-gate

Stereo miking is the preferred way to record classical-music ensem- bles and soloists. In the studio, you can stereo-mike a piano, drum set cymbals, vibraphone, harmony singers, or other large sound sources. https://www.isaacsoundstudio.com/en/article03

Journal on the human ear psychoacoustics and subjective quantities Characteristics of the human hearing system The way people hear Characteristics of the human hearing system The way people hear and perceive the voice of psychoacoustics and subjective and objective quantities https://www.isaacsoundstudio.com/en/article02

Panipulator is an indispensable, CPU-friendly tool that lets you achieve accurate mix translation across various less-than-ideal playback systems. With simple streamlined controls, you can you check mono compatibility, speaker polarity, identify phase issues in multi-miked instruments, isolate speakers in mono, and more—and it’s absolutely FREE. https://www.bozdigitallabs.com/product/panipulator/

Single track, bus or master - Frontier will be helpful on any of these Frontier is available only for registered D16 software users, who have purchased any product in the past or will do it in the future. It is available free of charge. Quality and performance makes Frontier a perfect tool for almost any studio situation. Its simple and clear interface in combination with excellent sound quality will surely be appreciated by any engineer looking for efficient way of controlling dynamics of a channel, bus or even master output. Frontier can be used as very transparent mixing / mastering limiter (at certain settings) with just licking the loudest amplitude peaks, or can be utilized more creatively, as sound shaper, when more extreme settings are at stake. https://d16.pl/frontier

The B.O.D is emulating a well known bass processing unit. If you need a good bass-tone quick, try this one! https://www.tseaudio.com/software/tseBOD

Most amp sims out there attempt to simulate 112 amps and 256 microphones, but the tone of the originals just can’t be found in any of those models, even after hours of frustrating knob tweaking. Much of the time their distortion sounds brittle and not organic. Digital at its worst… Brainworx has become renowned for their 1:1 emulations of coveted, high-end guitar amplifiers, providing plugins that not only sound like a real amp but feel like one when you play them. After four years of developing exacting models from coveted amp brands like ENGL®, Chandler® Friedman® and Mesa®, Brainworx has taken what they’ve learned and rolled it into bx_rockrack V3– a complete redesign of their flagship guitar amp plugin. The bx_rockrack V3 boasts eight famous amp models in a single plugin, including the bx_metal 666, an original creation of Brainworx founder Dirk Ulrich and Senior DSP Engineer Igor Nembrini. On top of that, 40 impulse responses are included, offering just the right variety of tone and timbre for your guitar rig. As with all their guitar amps, Brainworx gives you a powerful selection of perfectly recorded boutique cabinets captured with complete effects chains from studios featuring great sounding amp rooms and stellar gear. Each amp was painstakingly recorded by professional audio engineers who make their living by capturing tone. Imagine being able to take your pick of famous amps from Marshall®, Mesa, and ENGL, then running them through any one of several speaker cabinets mic’d and treated with the studio rack of your dreams. bx_rockrack V3 brings this dream to life, right inside your DAW. With Brainworx amps like the bx_rockrack V3, the time soak of dialing-in tones and re-amping your guitar rig will no longer burden your productions. Simply select your favorite speaker and recording chain, choose your amp, tweak the gain and EQ settings, and let the riffs fly - recorded or live. The onboard FX rack includes a handy noise gate, vintage delay, and shaping filter so you can customize your sound. bx_rockrack V3 offers world-class guitar tones, easily recallable and 100% reliable. If you have ever tried to record the same identical amp in the same studio twice and ended up frustrated because the results just were NOT the same, then you understand what Brainworx has accomplished with bx_rockrack V3. Activate the fully functional 14-day demo with your Plugin Alliance account today to hear for yourself (no dongle required)! Legal Disclaimer: JCM 800 2210 is a registered trademark of Marshall Amplification plc. The bx_rockrack V3 ‘Clean 800’ and ‘Crunch 800’ amps were developed by Brainworx Music & Media GMBH based on its own modeling techniques. Marshall Amplification has not endorsed nor sponsored the bx_rockrack V3 in any manner, nor licensed any intellectual property for use in this product. Boogie and Rect-O-Verb are registered trademarks of Mesa/Boogie Ltd. The bx_rockrack V3 ‘Modern Rock’ amp was developed by Brainworx Music & Media GMBH based on its own modeling techniques. Mesa/Boogie Ltd. has not endorsed nor sponsored the bx_rockrack V3 in any manner, nor licensed any intellectual property for use in this product. https://www.plugin-alliance.com/en/products/bx_rockrack_v3_player.html

Polishing your mix’s low end can be tricky. Bass DI tracks can sound mushy, and kick tracks can lose their “pop.” Sometimes everything below 100Hz can become such an undifferentiated soup of noise that you just don’t know where to start! Start here: The bx_subfilter is just the ticket for adding clarity and definition to tracks that have troublesome low frequencies. There are lots of expensive and complicated EQ plugins out there, but when it comes to shaping your low end, the bx_subfilter is unique for its ease and simplicity. With just a few quick adjustments to its four-knob interface, you can breathe new life into those 808s that have been muddying your mix. The bx_subfilter is a free plugin that borrows from the “Filter” section of its larger counterpart, the bx_subsynth. It’s the perfect plugin for anyone who loves the bx_subsynth’s unique approach to low-end filtering, but doesn’t need the subharmonic synthesis. If you think that cleaning up your low end shouldn’t break the bank or require twenty knobs, we’ve got a plugin for you. Sign up at Plugin Alliance today and you’ll get instant access to the bx_subfilter, along with our five other free plugins. No dongles, no hassles, and no payment required! https://www.plugin-alliance.com/en/products/bx_subfilter.html

This plugin is part of the PA FREE Explorer Bundle. Just add it to your cart and use code "PA-FREE-BUNDLE" during checkout to get this plugin and several others completely FREE! This one is on us! Brainworx created bx_solo to introduce users to the M/S technique for recording, mixing, or mastering. Key features of Brainworx´s famous M/S & Mastering products are included, like their unique Solo Buttons, which allow you to individually listen to all components of a stereo mix or stereo signal. Comprehensive solo features include; L (Left channel), R (Right channel), M (Mono sum, mid signal) and S (Stereo-Difference, side signal). This gives users the ability to listen to each component of a stereo mix when working in M/S modes, something modern DAWs often make difficult. bx_solo is also a powerful tool for checking your tracks or mixes for errors, noises, clicks and other problems. bx_solo contains a stepped M/S Stereo Width Control, so you can get a sense of how M/S technology can be used to expand the stereo width of tracks already recorded. Try it out on subgroups, FX returns, keyboards, or any stereo track that you’d like to spread out. A great pro trick is to use M/S processing on a rock guitar subgroup: just set the stereo width to 150% and the guitars will jump out of your speakers! Once you become more familiar with M/S technology and techniques with the bx_solo, we invite you to check Brainworx’s more sophisticated M/S tools like bx_control V2 and bx_digital V2, which offer additional features that greatly enhance what you can do to existing stereo material. For example, expanding stereo width can lead to phase problems, particularly in the low end. Both bx_control & bx_digital include the Mono Maker Tool that allows you to convert signals below a user-defined frequency to mono, largely eliminating these low-end phase problems. https://www.plugin-alliance.com/en/products/bx_solo.html

This free plugin will be added to your account automatically when you join Plugin Alliance. If you already have an account you can download and start using this plugin today. The Free Ranger is based upon the Full Ranger-EQ from SPL’s EQ Rangers series. It features four very useful bands: The 16 kHz center frequency band is great for adding very pleasant brilliance; the 1.8kHz center frequency band really brings out lead vocals and guitars or reduces harshness; the 150 Hz center frequency band adds warmth, making tracks fuller & fatter, while the 40 Hz center frequency band adds that sub thump or reduces rumble. Once you’ve grabbed your Free Ranger, you’ll want to demo the SPL EQ Rangers bundle which includes three 8-band EQs: Vox Ranger, Bass Ranger and Full Ranger. Like all Plugin Alliance products, they’re available as 14-day full function demos and no dongle is required! The Analog Code During listening tests of this technology, a hardware developer remarked that SPL had “cracked the Analog Code!” and in the process, coined the name of SPL’s software product line. SPL hardware products can be found in the world’s most renowned facilities, and have become a staple for audio professionals ranging from home studio owners to top mastering engineers. With the growth of computer based audio systems, the need for the SPL sound in plugin form has also grown. With Analog Code plugins, that coveted SPL sound is now available right inside your DAW. Go get it, it’s free! https://www.plugin-alliance.com/en/products/spl_free_ranger.html

This free plugin will be added to your account automatically when you join Plugin Alliance. If you already have an account you can download and start using this plugin today. The niveau filter first gained prominence in the filter section of elysia’s famous mpressor, where it was used to add punch to muffled snares, reduce the harshness from active pickups, or as a sound design tool to create everything from a telephone tone to low-fi loops. This filter provides a super simple way to change the overall sonic character of a signal. It features two comprehensive controllers and is capable of producing powerful results in no time at all. Whenever a classic shelving filter would be too limited and a fully parametric filter would be too much, the niveau filter plugin is the perfect tool. The niveau filter provides two basic controls: EQ gain and EQ frequency. Together, they allow you to change the proportions between high and low frequencies on your tracks. The principle is similar to a pair of scales. The “EQ Freq” knob sets the center frequency. The “EQ Gain” knob controls the amount of EQ applied to your signal. When the EQ Gain knob is at 12 o’clock, there is no EQ applied. When you turn the EQ Gain knob to the right, you boost frequencies above the center frequency while simultaneously reducing frequencies below the center frequency. When you turn the EQ Gain to the left you boost frequencies below the center frequency while simultaneously reducing frequencies above the center frequency. The frequency knob allows you to select a center frequency anywhere between 26 Hz and 2.2 kHz or between 260 Hz and 22 kHz when the x10 switch is activated. Setting the frequency knob all the way to the right will give you a low pass filter while setting it all the way to the left results in a high pass filter. Download your free copy today to see what this clever little tool can do for you and your music! https://www.plugin-alliance.com/en/products/elysia_niveau_filter.html

This free plugin will be added to your account automatically when you join Plugin Alliance. If you already have an account you can download and start using this plugin today. Ever wonder why there are Hi-Pass and Lo-Pass filters in every channel of the most expensive analog consoles, like SSLs and NEVEs? The reason is professional mixers rely on Hi-Pass and Lo-Pass filters to clean up the mud from the bottom and the grit from the high end, often as the first stage of the mixing process. bx_cleansweep is the plugin that should go into every mix channel as the first plugin. This way you can filter out any unwanted hi-end and lo-end, and the result is a clean and tight mix. Don’t think that just because bx_cleansweep V2 is free it’s not high quality. To the contrary, bx_cleansweep uses high quality Brainworx filters with “Anti Crush Technology,” providing the same professional quality as its more famous big brothers like bx_digital V2. Brainworx Anti-Crush technology uses analog style filter curves that eliminate common digital sound problems like harshness and aliasing. This advanced filter design is taken from their pro mastering EQ, bx_digital V2. First order filters (6 dB per octave) guarantee an extremely musical-sounding filter set, and a unique joystick interface (taken from the bx_hybrid) gives you fast and intuitive control. Once you hear how great Brainworx filters sound, you might want to download the 14 day full function demos (no dongle required!) of Brainworx’s more sophisticated EQ products like bx_hybrid EQ V2, the bx_dynEQ V2 or their flagship bx_digital V2. https://www.plugin-alliance.com/en/products/bx_cleansweep_v2.html